South Korean Film One Battle After Another Wins Best Picture and Best Director
At the Dolby Theatre in Los Angeles, the 98th Academy Awards crowned a winner from abroad, as One Battle After Another took six prizes, including Best Picture, Best Director, Best Supporting Actor, Best Editing, Best Adapted Screenplay, and Best Casting.
Defeating Cynos: Sinners, which had a record 16 nominations, One Battle After Another won four other major categories, while Cynos: Sinners secured four awards: Best Actor, Best Original Screenplay, Best Cinematography, and Best Original Score. The ceremony highlighted the Academy’s international reach and the continued strength of prestige productions from outside the United States.
Paul Thomas Anderson, who wrote and directed One Battle After Another, accepted the Best Director prize. The film-maker’s career has been fettered by Oscar snubs despite earlier festival triumphs; the piece notes his festival honors at Cannes for Punch-Drunk Love, Berlin for There Will Be Blood, and Venice for Master, underscoring the long road to Oscar recognition.

Anderson’s win was tempered by his modest remarks, drawing a parallel to the 1975 Oscars era when many acclaimed films competed and suggesting that cinema remains vital rather than dying. His comments reflected a broader debate in the industry about the sustainability of filmmaking in the streaming era and the global audience for ambitious cinema.
Autumn Durald Arkapo made history as the first woman and person of color to win the Academy Award for Best Cinematography. In her acceptance speech, she said that girls who resemble her will sleep more easily tonight, and urged the women in the audience to stand, signaling a milestone for diversity in technical roles within Hollywood.
Jessie Buckley, winning Best Actress for Hamnet, dedicated her prize to mothers everywhere, a message that resonated with many viewers who see cinema as a reflection of family and resilience. Buckley’s win adds to the film’s standing in a year when performances centered on intimate, human storytelling drew significant recognition.

Joachim Trier, accepting Best Foreign Language Film for Sentimental Value, invoked James Baldwin to remind audiences of responsibility. He used the moment to critique political leaders who neglect accountability in war and echoed a veiled rebuke of Donald Trump over the Iranian conflict, a rare use of the Oscar stage to address contemporary geopolitics.
The Oscar night underscored how global cinema continues to shape U.S. markets and cultural conversations. For American studios, talent, and audiences, the results influence distribution decisions, awards-season momentum, and potential streaming deals, while highlighting the enduring appeal of cross-border collaborations that feed Hollywood’s production pipeline.
Beyond Korea, the ceremony illustrates how foreign productions compete for the same American audience and prestige as domestic projects. The recognition of a diverse set of talents—whether in directing, acting, cinematography, or music—reaffirms the international character of today’s film industry and its impact on U.S. studios, investors, and viewers seeking global storytelling.